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Perhaps it was a tongue-in-cheek acknowledgment to fashion's mad ball of late, or to its more agitated pace, that Marc Jacobs absitively to present his bounce '12 accumulating for Louis Vuitton on a aboriginal white carousel.

Perhaps it was a tongue-in-cheek acknowledgment to fashion's mad ball of late, or to its more agitated pace, that Marc Jacobs absitively to present his bounce '12 accumulating for Louis Vuitton on a aboriginal white carousel.A white blind aerial to acknowledge all the girls, in cotton-candy colors, perched and spinning about on identical white ponies. All irony aside, the accumulating was meant to represent a joie de vivre, a charity and a faculty of enjoyment. All traces of aftermost season's fetishism was alone for a acceptable acidity and courtly demeanor.

The adaptable architecture of the clothes was apparent through beaming plays on transparency. Bell skirts and delicate dresses stood abroad from the anatomy in a hardly 50s, early-60s abundant silhouette. While the clothes were acutely decorated, there was a accordance and airiness in the use of broderie anglaise. Boxy tops, meanwhile, were larboard accessible at the back, accouterment a attenuate glimpse of bark in an contrarily affected collection.

Jacobs adapted motifs from accomplished Louis Vuitton collections, as able-bodied as his own line, but actuality rendered in a lighter way. The courage of a motorcycle anorak was removed back accomplished in pale, arenaceous crocodile; handcuffs from aftermost division were replaced by musical, bell-shaped argent bangles. In fact, argent replaced gold as the ascendant metal throughout. Small and courtly minaudières came with a drawstring closure.Change for Marc Jacobs, whether activity to the abode of Dior or alone in spirit, was signaled in his exit. His brand kilt was switched for a brittle white slacks.